Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Why Do You Think They Call It Afrocentrism?

A riddle: why is Frederick Douglass like Arsenio Hall? Both are or were African American, of course, but KRS-One has something less reductive in mind. Matching wits with black journalist Michael Lipscomb in Issue 57 of Transition, an African journal of ideas recently revived by Henry Louis Gates's W.E.B. Du Bois Institute, the Teacher applies the same adjective to the abolitionist hero and the talk-show celeb: "insane." And the African American self-definition they share is the nub of it, because "An African wanting to be an American is a crazy man." KRS-One's principled, stubborn, or insane rejection of his Americanness--even though "America is probably the greatest nation in the world"--dominates a 22-page q&a that stands as the most searching interview with a rapper we've ever seen. Unless his position on this question evolves, as they say, either he or his audience is in for some very painful and confused times.

Village Voice, 1994