RSSStew [extended]
- Guest Host [Telegraph, 2000] *
- The Naked Dutch Painter [Smile, 2002] **
- Something Deeper Than These Changes [Smile, 2003] **
- Passing Strange [Ghostlight, 2008] A-
- Making It [TNP, 2012] **
See Also:
Consumer Guide Reviews:
Guest Host [Telegraph, 2000]
precious pop polymath as sardonic solo seer ("Re-Hab," "C'mon Everybody") *
The Naked Dutch Painter [Smile, 2002]
very large professor as rake-about-town ("The Naked Dutch Painter," "Giselle") **
Something Deeper Than These Changes [Smile, 2003]
Selling metaphor to Volkswagens galore ("Kingdom of Drink," "Mind the Noose and Fare Thee Well"). **
Stew, Rodewald and Various Artists: Passing Strange [Ghostlight, 2008]
Always impressed and never bowled over by the auteur's albums, I only caught his musical after this original cast recording hit me like no Stew or Negro Problem CD ever had. Two clues emerge in the guitared-up "Prologue": first "If you're ever not sure what I'm all about/Just ask the song," then "Since it's my job I'ma set the scene." Music as surrogate self, music as daily occupation--if Stew never shone as brightly as he had to on his own records, his craftsman's approach to his lifework was why. But these limitations feed into this amusing, moving, sophisticated, less than profound Broadway show about racial identity and art for art's sake. Stew the narrator expresses himself more subtly and forcefully than he ever did as mere persona--the distance frees him up. Similarly, two songs that satirize themselves, the Afro-hardcore "Sole Brother" and the Euro-anarchist "What's Inside Is Just a Lie," pack straightforward power. But in the end, there's only one standard: "Keys," a celebration of the occasional kindnesses of the bohemia where this 47-year-old African-American has spent his adult life. A-
Stew & the Negro Problem: Making It [TNP, 2012]
Back to writing show-tunes-sans-show--rock and roll show tunes, sometimes, but always set pieces ("Black Men Ski," "Speed") **