Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Mast: Thelonious Sphere Monk [World Galaxy/Alpha Pup, 2018]
The only jazzman whose compositions have racked up more cover versions than Monk's is Ellington, who copyrighted over 2000 tunes. Monk's life total was 70. Think about that for a second. Counted too weird, too blunt, too ham-fisted, too trinkle-tinkle, too spacey, too nutty, Monk was a melodist of genius. But beyond "'Round Midnight," most of his covers are jazz covers; even Hal Willner's lost 1984 tribute That's the Way I Feel Now legitimized its Shockabilly and Joe Jackson sallies by giving equal time to Steve Lacy and Barry Harris. This sound-collage is different. Masterminded by techno-friendly LA guitarist Tim Conley, it performs the magic of refreshing a catalogue that's eternally new to begin with--just when you're wondering what's up, in sidles "Misterioso" or "Evidence" or "Epistrophy" or "Blue Monk" or "Let's Cool One" or "Nutty" itself. Rather than desecrating these timeless classics that were once too weird for words, the bleeps and electro-textures prove the melodies' mettle. Nor is Conley above strings or horns or playing a few of these beauties himself. Does it, er, swing? The answer, as it should be, is sometimes. A