Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Arca: Stretch 2 [UNO NYC, 2012]
So what's going on in these nine, to quote the experts, "misshapen," "warped, hellish," "floridly mutant" "hymns to God knows what"? I direct you to "Laughing at Scary Voices," a consideration of Swedish electro-mutants the Knife in the February, 2011 Perfect Sound Forever by none other than Alejandro Ghersi. To wit: "David Lynch and Charles Burns and the Knife approach haunting images, absurdity, unappealing humans, and loneliness in all of their work." However: "The Knife's lyrics resist parsing in the same way that Lynch's Mulholland Drive timeline resists parsing and Burns's Black Hole resists being taken seriously." So therefore: "The only thing we can do with certainty is laugh at the dark world they've created and, in the process, laugh at our own undeniably fucked up society." You go on from there. B+