Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

The Highwaymen: The Very Best of the Highwaymen [Columbia/Legacy, 2016]
Nelson, Jennings, Cash, & Kristofferson joined their voices in American song during the Reagan, Bush I, and Clinton years, and listening back, the greatest of these was Nelson--the man could sing (and still can). As a group, NJCK are better passing lines around than joining their voices grandly in song--"Desperados Waiting for a Train" gets buried alive, "Born and Raised in Black and White" lost in the crowd. But they top Arlo's wistful "City of New Orleans" as well as Bob Seger's mawkish "Against the Wind," equal George's slapstick "The King Is Gone," and forever define Robert Earl Keen's highwayman saga "The Road Goes on Forever." Also, believe it or not, they have politics: "Welfare Line" describes white people, "American Remains" shovels a foreclosure on top of a drought, and a crucial cameo from Johnny Rodriguez extracts every ounce of outrage from the Woody Guthrie classic properly entitled as it is here: "Deportee (Plane Wreck at Los Gatos)." A−