Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Death Grips: The Powers That B [Third Worlds/Harvest, 2015]
Having outlived their modishness, the biracial art-rap-cum-ragecore trio release a double album that, as I once requested, sidesteps their sex-hating/fearing misogyny. This they achieve not by putting it aside altogether but by sticking it on one disc, based musically on "Björk's vocals (as found object)" har har, epitomized thematically by "Have a Sad Come BB" (pronounced "baby"), and entitled for confusion's sake Niggas on the Moon. Its longer opposite number, entitled for confusion's sake Jenny Death, is epitomized thematically by a breakneck Humvee of an opener called "Break Mirrors With My Face in the United States." They couldn't have anticipated Freddie Gray except in the sense that there'll always be another, the rare ragecore truism with undeniable truth value. But in this time of racist callousness, I find their all-purpose hostility and alienation apt and, sometimes, perversely satisfying--on "Pss Pss," "Centuries of Dawn," "Beyond Alive." B+