Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Daniele Luppi & Parquet Courts

  • Milano [30th, 2017] A-

See Also:

Consumer Guide Reviews:

Milano [30th, 2017]
Assume Italian-born Hollywood movie-music pro Luppi had melodic input on this half-hour concept bagatelle's five A. Savage vocals as well as the four Karen O's, and assume too that a shot at Milanhattan cosmopolitanism was what lured Luppi in. It's still Savage's record--from "Functionalism's a bore, modernism's a chore" to "Why does he look at me like that/Must be a Christian Democrat," the clever Savage more than the socially aware Savage. How exactly that Beretta sneaks in toward the end I have not a clue. A-