Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

KMD

  • Mr. Hood [Elektra, 1991] Choice Cuts
  • Bl_ck B_st_rds [Sub Verse, 2001] A-

Consumer Guide Reviews:

Mr. Hood [Elektra, 1991]
"Mr. Hood at Piocalle's Jewelry/Crackpot"; "Mr. Hood Gets a Haircut" Choice Cuts

Bl_ck B_st_rds [Sub Verse, 2001]
The rare great lost album that justifies its legend, this was held back by Elektra in 1993, supposedly due to the lynching cartoon on the cover, although the fading sales of conscious hip hop and the death by automobile of 20-year-old D.J. SubRoc couldn't have helped. Not quite great, maybe; slightly dated, even. But it moves more confidently than 1991's Mr. Hood, and confident movement freshens the St. Ides and Somalia references decisively. Right or wrong, the crew's two founding brothers are exhilarated by their belief that hip hop can persuade the youth to watch out for cancer sticks and nibble plum pudenda, by their mastery of a sonic layering that assumes the Bomb Squad and has fun with it, by bass player B. Thompson. Of course, they're also exhilarated by each other, and that wasn't gonna last. But make a face at Elektra anyway. A-