Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Sly & the Family Stone: Fresh [Epic, 1973]
Now that the truncated rhythms of Sly's post-dance-to-the-music have become the stomping ground of War (heavy) and Stevie Wonder (bubbling over), Sly takes the lyrics into middle-Dylan territory, exploiting his own genius for hook phrases--"in time," "thankful n' thoughtful," "babies makin' babies"--only to fasten a superabundance of elusive images to a jagged groove. Many of the songs turn in on themselves--one vaguely inspirational number ends with a derisive "cha-cha-cha"--as Sly's vocals shift in tone, texture, and volume and the extra percussion and repeating horn riffs accentuate the music's brutally staccato effect. He seems willing once more to sing of love and fun, of gratitude and the great circle of life, but he also equates his legendary tardiness with his legendary self-destructiveness and comments on his inaccessibility as decisively as is appropriate. Plus a great twist in Sly's relationship with the white power structure: a cover of "Que Sera, Sera." A