Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

Liz Phair: Exile in Guyville [Matador, 1993]
She's a rebel, and if all goes well, also a pathfinder, which isn't certain mainly because the acts and attitudes that make her a rebel are so normal. Her number of partners may be over toward the right side of the bell curve. She may have commitment problems. But for at least two decades, bohemian women of a certain age have displayed this much desire, independence, bitchiness, self-doubt, and general weirdness--while continuing to pin down the unmanly emotional apercus that make "Dance of the Seven Veils" and "Divorce Song" so gender-specific. They can behave this way if they want--they're just not supposed to come out of the closet about it. And while Phair knows more than enough about tunes and guitars to challenge the taboo, the weirdness level of her spare, intuitive, insinuating demos-plus is bohemia-specific. Which is apt for sure. But not necessarily pathfinding. A