Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Migos: Culture [QC/YRN/300, 2017]
It would be silly to deny how good this music sounds. These three rather different young men are much more than amigos--they're blood relatives raised by the same heroic mama, and while they don't harmonize like Isleys or Everlys, their pitch-corrected interactions are a consanguineous delight. Rather than bitches, cars, etc., they're about homologous voices twisting internal rhymes through associative verses, with the "ad libs" that punctuate line after line the payoff that's made them such a thing. Although sometimes these merely repeat the line's final word, that can be fun in itself, and it sets up the repeated jack-in-the-box joke of springing an improved alternative keyword instead. And as anybody who's heard "Bad and Boujee" three times knows, best of all are the sound effects: bwah, skrrrt, brrrup. Some believe these echo gunfire. I prefer to table that theory till next time. A-