Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

The Rough Guide to the Music of the Sahara [World Music Network, 2014]
Volume two--its sequel status unnoted as usual--showcases quite a few of the individual artists whose voices emerged from what seemed a realm of barely differentiated mystery on its magnificent 2005 predecessor, and sneaks in extra music by the extra-dry Niger cross-tribalists Etran Finatawa, who back two other Wodaabe aggregations with dreams of escaping the cattle trade. This is a positive. Except for Sahrawi diva Mariem Hassan, who deserves all the kudos she can get, and Nubian master Ali Hassan Kuban, who provides his usual shot in the arm, these artists are better served by a single song than a whole album anyway, and both Wodaabe entries provide needed weirdness. There's also a bonus disc perfect for anyone seeking a whole album by someone who can't sustain one, because Mamane Barka comes damn close on a five-stringed harp you've never heard of perfected by a fishing tribe you've never heard of either. Not Barka's tribe--in the Sahara, a high school diploma is a broadening thing. A-