Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Rolling Stone
  Video Reviews
  Pazz & Jop
Web Site:
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
CG Search:
Google Search:

Consumer Guide Album

Neil Young & Crazy Horse: Americana [Reprise, 2012]
Crazy Horse yam what they yam. You don't like them, take a hike. For all its evocation of war-dance tom-toms, Ralph Molina's thudding beat could just as easily have inspired Young's endnote about the civilization their namesake "detested": "the footsteps of the white man stamped more and more across the land." In this they resemble, of all things, the United States of America, which has been steamrollering its own past for as long as there've been steamrollers. In vivid contrast to the sanctimonious musicianly overkill of Springsteen's Pete Seeger tribute, Young's overkill leads with its middle finger by ignoring the catchiest tune of the 19th century, the traditional melody of "Oh Susannah." But read Young's annotations and learn that this rewrite was itself concocted 50 years ago by forgotten folkie Tim Rose--and then wake up the next morning to learn that it has staying power of its own. Almost every song messes with you that way because almost every song is messed with and almost every song renewed. "This Land Is Your Land" advocates trespassing. "Get a Job" is accounted "a genuine folk song with all of the true characteristics." "God Save the Queen" rhymes "politics" and "dirty tricks." Boom, boom, boom, boom. Sha-na-na-na-na. A