Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

Waylon Jennings: Ultimate Waylon Jennings [RCA Nashville/BMG Heritage, 2004]
Beyond "outlaw," nobody ever specifies what Jennings does and doesn't do with his strained, resonant, masculine baritone--his "Me and Bobby McGee" is uglier than Kristofferson's. But on sure shots you can forgive him his pain. Highlights include the belated "Don't You Think This Outlaw Bit's Done Got Out of Hand" and the wounded "The Taker," a Kris Kristofferson gem about a lady some other slimeball done wrong. For those who think BMG's title-by-title reissue program makes less sense than the Black Sabbath box (although I've Always Been Crazy sounds sane enough). [Recyclables]